|
|
||
|
1. |
The stage stand is especially stable, featuring an adjustable (70-140cm) tripod with a base area of over 80cm. At the top there is a V-shaped didgeridoo rest (see pictures 2 & 3) which is swivel-mounted on the stand, so that it is possible to move while playing. There is an upright retainer to maintain the distance between the bell-end of the didge and the microphone, which is fixed to the stand by means of a universal clamp (see pictures 2 & 3). Because the didgeridoo only rests on the stand, it's easy to change instruments onstage. Nothing has to be re-adjusted - the distance to the microphone remains the same. Bruce Rogers, the well-known Australian didgeridoo player and maker, is using a prototype of this stand on his current European tour and says: "This is the best stand I've ever seen. It works exceptionally well." Weight: approx. 4kg |
|
|
2. |
3. |
|
| Jetzt auch
als Didgeridoo Freehand Stage Stand erhältlich: - |
||
Especially stable, featuring an adjustable (80-160cm) tripod on wich the didgeridoo is fixed with a rubber band for easy and secure usage. This allows the player to get both hands free to play a drum, a guitar or whatever. Nothing has to be re-adjusted after using an other didgeridoo - the distance to the microphone remains the same. |
4.![]() |
|
| Special versions are possible too. For example for very long or curved didgeridoos. please ask for prices! | ||
|
|
||
| This example shows a version for an extremely curved didge with an adjustable mic holder to get the mic easyly in front of the bell. | ||
|
- |
|
The didgeridoo scene has grown considerably in the last few years and German didgers in particular have become so numerous that even in Australia there is a running gag: "You play the didgeridoo? You must be German!" |
|
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-